On Sunday orange lips and fingertips (pictured above) made its debut at The Chapel, a gallery that operates in association with Memorial Presbyterian Church in St. Louis, MO. I’m showing four recent paintings alongside folded paper works by Marguerite Corey and photographs by Sylvester Jacobs. If you missed the public reception, you can catch the show again on November 11 or by appointment (email@example.com). Each of these paintings addresses concerns of gain and loss by way of memory, consumption, and death, reflecting upon what we take and what we leave behind.
I thought that I had finished smoke-shaped forest back in May (see the post from May 8, below), but ended up reworking the painting in early October. The rising embers seemed to resonate with the blowing/falling cheese puffs, and as a result this piece edged out the competition for inclusion in the exhibition. It’s another meditation on gains and losses, a depiction of cleared land with irregular trees and stumps scraped into a burn pile while the city throws its own light up over the horizon. I’ll need to post a future image including the frame, which I made out of reclaimed quarter-sawn red oak. The distinctive medullary rays provide a contrast to the starkness of the image, and its reclaimed nature (made evident by a few nail holes) is intended as an argument on behalf of both use and preservation.