Tag Archives: window

new work

installation view with bench

installation view with bench

Friday’s opening was an enjoyable one, thanks to the large crowd that didn’t seem to want to go home.  I had a real sense of accomplishment seeing the 12 pieces on the wall and under the lights, with six of the paintings being finished very recently– some as late as March 2nd.  Many thanks to Ellen Gochnour for orchestrating the exhibition, which will be on view through March 26.  I have included images of the most recent work, below.

love seat, oil on canvas, 54x 64, 2010

love seat, oil on canvas, 54x 64, 2010

annunciation, oil on canvas, 41x 30, 2010

annunciation, oil on canvas, 41x 30, 2010

we’ll work with what we’ve got, oil on canvas, 50 x 46, 2010

where we stand is beginning to end, oil on canvas, 50 x 46, 2010

a tree for our sorrow: memorial, oil on canvas, 40x 54, 2010

a tree for our sorrow: memorial, oil on canvas, 40x 54, 2010

a tree for our joy: memorial, oil on panel, 9.25x 10.5, 2010

a tree for our joy: memorial, oil on panel, 9.25x 10.5, 2010

our geometry is a fiction of cleanliness, oil on canvas, 64x 54, 2010

our geometry is a fiction of cleanliness, oil on canvas, 64x 54, 2010

space and surface works

textured wall with skim coat and mesh tape

textured wall with skim coat and mesh tape

before and after, main wall

before and after, main wall

wall and window

wall and window

Last week I repaired and repainted the walls in our first floor sitting room.  The main wall is lit with a raking southern light and this caused the sandy, grooved texture to leap out insistently.  I ended up building a scraping tool to knock off the peaks, then skim coated and sanded the walls towards a relative smoothness.  We chose a color of green that had a bit of life to it.  It quiets down in the natural light, but maintains some intensity in artificial or reflected light.  The photos above show both scenarios.

I suspect that most people think of walls as surfaces, but I like to treat them as spaces.   Walls, like paintings, are best understood by their edges.  The center is a more mysterious space with a disorienting habit of falling away– especially when color gets involved.   I love that center, where a wall can act like a window.